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Gathering Clouds: Photographs from the Nineteenth Century and Today

  • Dates: July 11, 2020 - January 3, 2021
  • Recurrence: Recurring daily
  • Admission: Free to members; included with museum admission
  • Location: George Eastman Museum
  • Address: 900 East Avenue Rochester, NY 14607-2298

We have the sky always before us, therefore we do not recognise how beautiful it is. It is very rare to see anybody go into raptures over the wonders of the sky, yet of all that goes on in the whole world there is nothing to approach it for variety, beauty, grandeur, and serenity.

—H. P. Robinson, The Elements of a Pictorial Photograph, 1896

At the end of the nineteenth century, Henry Peach Robinson (British, 1830–1901) emphasized the significance of the sky in landscape photography. “The artistic possibilities of clouds,” he further noted, “are infinite.” Robinson’s plea to photographers to attend to the clouds was not new. From photography’s beginnings, clouds had been central to aesthetic and technological debates in photographic circles. Moreover, they featured in discussions about the nature of the medium itself. Gathering Clouds demonstrates that clouds played a key role in the development and reception of photography from the medium’s invention (1839) to World War I (1914–18). Through the juxtaposition of nineteenth-century and contemporary works, the exhibition further considers the longstanding metaphorical relationship between clouds and photography. Conceptions of both are dependent on oppositions, such as transience versus fixity, reflection versus projection, and nature versus culture.

Gathering Clouds includes cloud photographs made by prominent figures such as Anne Brigman (American, 1869–1950), Alvin Langdon Coburn (British, 1882–1966), Peter Henry Emerson (British, 1856–1936), Gustave Le Gray (French, 1820–1884), Eadweard Muybridge (British, 1830–1904), Henry Peach Robinson, Southworth & Hawes (American, active 1843–1863), and Adam Clark Vroman (American, 1856–1916). Selections from the group of photographs that Alfred Stieglitz (American, 1864–1946) titled Equivalents (1923–34) serve as a link between past and present. The featured contemporary artists include Alejandro Cartagena (Mexican, b. Dominican Republic, 1977), John Chiara (American, b. 1971), Sharon Harper (American, b. 1966), Joshua Rashaad McFadden (American, b. 1990), Sean McFarland (American, b. 1976), Abelardo Morell (American, b. Cuba, 1948), Trevor Paglen (American, b. 1974), Carrie Mae Weems (American, b. 1953), and Byron Wolfe (American, b. 1967).